Archive for the ‘Behind the Shot’ Category

My new favorite

JettyPayBchII2017

 

by Sue Dawson

I KNOW. How’d she get this shot?

Here’s what Alison said when I asked her that very question: “Can you hold on a second?”

You see, I’m writing this while Alison’s hanging this print on the main wall of the gallery. It’s face-mounted to plexi, backed by metal, and framed in a floater frame. We (that’s the royal we) need to screw cleats into the wall at the perfect spot. Our little gallery walls are all wonky, and not square. So it’s a challenge. 

I waited and asked again – How’d you get this shot?

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Behind the shot: “Rock Harbor II 2014”

by Sue Dawson

RockHarborII2014

I ASKED ALISON about the new photo on our main wall, called Rock Harbor II 2014. We’ve printed it as a large canvas, and we just hung it for tomorrow’s opening reception, for our third show this season of Alison’s newest work. It’s such a stunning, painterly image, I’ll have to convince people that this is a photograph. This is one I’d like to hang in our own house. Here’s what she said:

“I took this shot last fall, right before teaching a workshop for the South Shore Camera Club on the Cape. I had just done tests comparing the new Nikon D810 and my old D700. Being the picky, in-search-of-high-quality person that I am, I test all of the new equipment that comes along. I’m really frugal, but whenever I find something worth the leap, I’ll be first in line with my credit card at B&H. As soon as I ascertained that the 810 produced images with much higher quality, I ordered it. My new toy arrived the day before I left for the Cape – I was like a kid in a candy shop.

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Behind the shot: “Oak Bluffs 2015”

by Sue Dawson

OakBluffs2015blog2

I ASKED ALISON about the new photo on our main wall, called Oak Bluffs 2015. We’ve printed it as a large canvas, and we just hung it for tomorrow’s opening reception, for our second show this season of Alison’s newest work. It’s mesmerizing – it looks like it’s just floating on the wall. Here’s what she said:

“That’s the direction I’m going in now – a more muted palette, fewer primary colors. It doesn’t have to be dawn or dusk for me anymore. I used to look for a stronger color palette, which you’ll find early or late in the day. But now I’m watching for the really subtle things that are happening. Quiet things, like the two different flat calms going on in the water in this shot. I love the height of the tide – almost covering the rocks, with just a few of them poking through. If you could see all of the rocks, it’d be really seaweedy, really messy-looking. This just gives you a hint of the rocks.

It’s a location that’s so subtle, you’d never stop and take a touristy picture there. It’d never be subject matter that you’d hear, “Oh, honey, let’s stop and take a picture.” I feel like what I’m looking for now is something that’s evocative, but understated – something I think is beautiful, but not in an obvious way. A scene where a little change of light, wind direction, wind velocity, the tide, will make me screech to the side of the road, get out my camera, and ignore my appointments for a half hour.

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Behind the shot: A stormy winter

by Alison Shaw

Eastville 2013

THIS WINTER WAS FANTASTIC for photographing storms on the Vineyard. Anytime there’s a storm in the forecast, everything in my life comes to a screeching halt so I can focus on shooting. Once the storm is close to its peak, I leave my cozy home and happily head out into the elements, telling my family I’ll be back once the storm subsides or the sun goes down. The ones I particularly enjoyed shooting were Hurricane Sandy in late October, which was downgraded to a tropical storm by the time it reached us but nonetheless packed a powerful punch; winter storm Nemo in early February; and a March nor’easter. Sandy, in particular, was quite exciting, because there were really humongous waves and powerful winds, and it actually rearranged some of the shoreline of the Vineyard. I noticed this most dramatically at Lucy Vincent Beach, where the waves literally scoured all the sand off the beach, leaving rugged clay and stone exposed underneath. As it turned out, it wasn’t just the day of Sandy that was exciting – I continued to visit Lucy Vincent a couple times a week for several weeks. Each time it was different, often dramatically so. The big cliff at the end was weakened by the storm, and kept changing with the tides, until it finally collapsed into the sea.

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Behind the shot: The “swimmer” series

by Alison Shaw

I’VE BEEN WORKING ON A NEW SERIES of photos of “Swimmers” at our local indoor pool. Truthfully, it started out as something I could do to pass the time while my daughter Sarah swam with the swim team each week, while I, otherwise known as “Mom’s taxi service,” waited until it was time to transport her back home.
It wasn’t long before the snapshots I thought of as entertainment turned into work I really cared about, as I filled up at least one memory card each Thursday afternoon, and headed back to my studio to download the images and tweak them a little in Lightroom.

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