Can’t help it but we’re creative …

A guest blog: by Eli Dagostino

FOR 25 YEARS Alison Shaw and her students have posed together for a group photo at the end of each of her fall photography workshops. Alison has always enlisted the help of her partner in crime (the workshop assistant) to take the photo. Last year was my first year assisting the internationally renowned fine-art master, and when I was put to the task of taking the traditional photo for our group, Alison made it clear that she didn’t want the shot rushed and that it definitely had to be something fun and creative.

I made the same mistake as assistants past and waited until one of the last days to take our group photo. We planned to shoot in Menemsha that evening, and I decided this would be a great time to get everyone together and quickly (without taking the students away from their shooting adventures) take THE shot. We notified the students in the morning and proceeded to put together a shot that night. It was eh….
Being someone who really appreciates a story telling portrait, I would compare the viewing experience of this “eh” shot to eating terribly executed scrambled eggs:

dock group shot

Luckily, I had the perfect opportunity to redeem myself later that evening when Alison and I were watching the sun go down. Over the jetty, we noticed how absolutely beautiful the silhouettes of the few students still shooting looked against the post-sunset sky. We looked at each other for one split second and it was as if the same idea popped into both of our can’t-help-it-but-we’re-creative heads. With some polite but inspired screaming we beat the fast approaching darkness and got all of the students to line up on the jetty, and pretend that they were either shooting the sunset or each other. I was about 150 feet away from the students. Competing with the loud rolling waves of the choppy Vineyard Sound, it was Alison’s job to yell messages to everyone regarding where to move and how to pose. The result of our efforts attempting to recreate what popped into both of our heads speaks for itself:

oct2012workshopblog

I was honored to be asked back to assist both workshops this year and was excited to make a tradition of these creative group photos, to help the students bring back their fond memories of our week together. Alison half challenged me to top what was created against the fiery sky last year, and with a smile I agreed that it was a challenge that I was surely up for. I pitched a couple of options, and together we were most inspired to honor the amazing space that we were newly working in (The Martha’s Vineyard Film Center). Although the plan was full of unanswered questions, we were thrilled to embark upon the photographic adventure together.

The photo option Alison and I agreed upon took some serious pre-production thinking and had to be executed with the utmost patience. I wanted the photograph to highlight the new space as well as each individual’s unique personality and attitude towards their photography. I spent the first six months of this year shooting carefully lit environmental portraits as a part of a project that I called The 365 Project. Combining both my creative and technical skills, I knew how to coax my subjects into emoting the way I wanted them to and how to execute a clean composite consisting of 17 original raw files all masked out onto a clean plate/pre-shot background. In other words, I shot each person individually (setting up lighting for each one), then shot the empty Film Center, and put it all together in Photoshop:

sept2013blog

The September 2013 group photo was such a great take-home bonus for the students, but it also gave them all an opportunity to learn how to shoot better portraits. So many of the students I’ve helped teach come to the Alison Shaw Workshop with a background in “people photography” expecting to refine their fine-art eye with the help of Alison. Showing them how I approach the craft of portraiture shines new light on what might’ve gotten old for them, and I hope that my future group photos will inspire students just as much as this year’s did. I am so lucky to spend two of my fall weeks with Alison teaching and hope that the opportunity will be offered to me for years to come.

All photos by Eli Dagostino
2022-05-28T17:57:30+00:00October 2nd, 2013|2 Comments

To know an island

A guest blog: by Kelsey Perrett

IT DOESN’T TAKE THAT LONG to see an island that’s less than 88 square miles. About a week, I would have guessed when I first moved to Martha’s Vineyard this May. All it really requires is one long drive down State Road, a stroll around downtown Oak Bluffs and Edgartown, maybe some sidetracking to hotspots like Menemsha, and you’re pretty much qualified to drive a tour bus.

One week, to see the island in its entirety. The length of an average summer vacation.  But how long to know an island? To come to understand the character of a place—its beauty and its quirks—in the same way you know your oldest friend?

This is a question I came to contemplate when I began working at the Alison Shaw Gallery in Oak Bluffs. At times, the island made me feel a bit claustrophobic. Even if you tried to leave in mid-summer, the influx of tourists could make it impossible to obtain a boat reservation. I wondered how anyone could spend more than a few months here without going completely stir-crazy. But then there was Alison: a woman, who like me had moved here the summer after graduating college, and never left. Not only had she made the island her home, she had made it her primary inspiration, and the subject of more than 90% of her work.

For me, spending so much time around Alison’s work was a means of getting to know the Vineyard intimately. Sure, it was a small place, but there was a lot to look at if you learned to look at it the right way. Flipping through the archives, I realized Alison must have taken hundreds, perhaps thousands of shots of Lucy Vincent Beach. Yet each one captures a different mood, a different angle of that one gorgeous spot. In some, somber gray haze encapsulates the beach’s signature rocks, while others are painted with the pastel wash of sunrise. Others still capture the idyllic splash of a wave on a crisp blue day.

In this way, Alison’s photos suggested to me that there were many ways to see the Vineyard, and therefore, many ways to love it. They so perfectly displayed how a solid stripe of color on a moored boat contrasts with the liquid blue beneath. Or the way a vibrant Menemsha sunset silhouettes ships and fishermen against an orange backdrop. Or the varieties of mist that collect atop a still Lagoon Pond at dawn. The oldest were in black and white, showing off striking contrasts. The newest: abstract smears that emphasized the interplay of light and color. They captured not only a place, but the living spirit of that place, the little idiosyncrasies that have made islanders and visitors fall in love with Martha’s Vineyard over and over again.

Anyone can take a snapshot of a new place, because its newness makes it immediately remarkable to the photographer. But that doesn’t make it art. It’s the ability to re-envision the mundane that blesses the true artist. So how long does it take to know an island? Ask Alison Shaw, and the answer would likely be “a lifetime.”

2022-05-28T18:55:45+00:00September 8th, 2012|1 Comment

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