Welcoming summer 2024

IT’S THAT TIME of year again, the race for island businesses to open by Memorial Day weekend. We’re opening for the 2024 season this Friday, May 24th. The seasonal shift is so dramatic for islanders, with everything flying into place near the end of May. SO many visitors and summer residents. SO many events. I bet you come here to relax, and think it’s so mellow. But the summer season feels kind of wild to us.

You’ll find a Stop & Shop that’s more than twice the size, with 16 types of feta cheese (I know this from making a family recipe a few months ago), and way more variety in everything. There’s a new roundabout down by the Island Queen in Oak Bluffs, with so many road signs it looks like a city street (don’t get Alison started). There are weekly demonstrations at Five Corners that will likely continue. And, big news – BOTH weekly newspapers have new publishers and editors-in-chief since last summer. We lost some beaches, and folks worked hard to build them back – the south side of the island got pounded by winter storms, and it’s changed the landscape dramatically.

The air smells of lilac and honeysuckle, and the sounds of hammers and saws are everywhere. Soon it will feel like the wild season, and we’ll be walking from the gallery down to Nancy’s, just to soak in the summer air, and get one of Donovan’s awesome drinks.

Click here for gallery hours, and here for our events calendar. Please stop in when you can, and say hi!

2024-05-22T21:41:27+00:00May 22nd, 2024|2 Comments

Making space for the new season

WE’RE getting ready to open on Friday, for the 2023 season. I’ve used this reference before, but it’s been a little Sanford & Son around here. We always use the off-season months to clear out the cobwebs and get ready for the upcoming season. There are ongoing projects, like our website. Some years we teach Mentorship programs, or create books. And there’s an astonishing amount of junk [junque] from all these years of running a fine art photography business. This year we delved headfirst into that last thing. The junque.

We had 25 years of financial files in our storage space that we brought to the gallery [“we” means “Alison”], sorted, shredded, and threw away the oldest 15 years worth. Then we [Sue] bought ten snazzy plastic file boxes online, that *all* arrived cracked and busted. After a ridiculous number of calls to Staples, we [Claire] arranged an inconvenient solution. We [Alison] took the boxes back off-island on the next trip, and exchanged them for good ones. Yes, this is a lot of detail. I’m telling you this so you understand life on an island.

There were lots of old computers too. Cords, keyboards, monitor connections, mice, all found and hooked up so we [Sue] could wipe the hard drives. Then we [Alison] took them to the electronics disposal day, and paid to throw them out. You get the point. We do this stuff every year, but this year we went deeper than usual.

2022 was the last year for the pandemic [yay], postscript fonts [boo], and vacations in Florida [political reference I’m happy to clarify in person]. This week Alison and I are watching the finale episodes of some favorite tv shows: Ted Lasso, The Marvelous Mrs Maisel, and Succession. It seems like so many things are going away, or already gone.

Our ongoing effort clears space for what’s new. This year, Alison has continued to scour the East Coast, in search of boats to photograph for her current passion project. She’s enjoying her travels, and meeting lots of boat owners and restorers along the way.

Every year, Memorial Day Weekend means one thing for islanders – the official start of the summer season. Alison Shaw Gallery opens this Friday, launching the familiar whirlwind that is summer on Martha’s Vineyard. Please stop by, say hi, and see the first round of Alison’s new photographs. We’re looking forward to seeing you!

2024-05-22T21:41:01+00:00May 24th, 2023|0 Comments

New season, new look

WELCOME to our brand-new website, and the 2022 season! Our flags are flying, and the gallery is open today. Alison and Claire hung lots of new images, and I’m working on all sorts of last-minute stuff – website updates, new labels, laser printer jams. Let’s put it this way – it’s 1:30pm, and I just realized I forgot to eat today.

Lots of work has gone into this site. Many thanks to Kathleen Forsythe for the early design consults and architecture of the site. Thanks to our 2018 Mentorship group – we had an unusually small group that year, so Alison and I were able to do a Mastermind at the April retreat. The feedback from Rob, Brooke, Ilene, and Dena was super helpful. Deep gratitude to master programmer Rick Mello – he’s a consummate professional, and a joy to work with.

We’d all paused for some reason before the pandemic, and the process got stalled for a few years. When we resumed, I took over the design, and Claire managed all the extensive updates in the portfolio section (every single image needed updating).

A site this complex takes a good team, and lots of work to complete. For me, it’s been a blast (fyi to folks under 40: that’s a good thing).

Again, welcome. We’re glad to be back.

2023-03-07T20:19:56+00:00May 27th, 2022|0 Comments

Glass half full

IMG_0581

WELL, THIS happened today. That’s a large sheet of glass. There’s a broken frame and scratched print too, but the glass was the dramatic part. If you look closely, there are shards in the bin with the matted prints, and all over the floor. It fell off the wall sometime between 5pm yesterday and 10am this morning.

After a heroic job cleaning it all up, Claire headed to Vineyard Haven for errands, and it took almost an hour for her to drive three miles. TONS of traffic, bikes, mopeds, and… the drawbridge was up. It’s officially summer on the island.

But there’s a lot of good stuff too. Both of our adult children are home for the summer – yes that’s a good thing :) – and Sarah will be working for us tomorrow, with our longtime friend Joanne. Our garden got a facelift today, the tent is up, and we just hung an awesome show. Alison has a gorgeous new series that’s getting a lot of attention. And we’ve been super busy, getting ready for tomorrow.

Please come to the first Arts District Stroll of 2019 – tomorrow (Saturday) from 4 to 7pm. There’s a rain date for some of the artists stationed outside, but we’re sticking to Saturday, rain or shine.

I know I say this a lot, but these photos are stunning. Hope we’ll see you tomorrow!

2022-05-27T18:16:40+00:00July 5th, 2019|2 Comments

Vacation head

RedOars2018

ALISON just finished hanging her new show in the gallery, to get ready for our Arts District Stroll tomorrow. The furniture’s still a bit askew in here, but the show is hung! It’s a big feat, since all three of us (Alison, Claire, and I) had errands … out… in the fray. It’s August, after all, and it’s a little nutso out there.

Have you ever noticed vacation head? That’s what I call the disconnect that happens to most of us when we finally let ourselves relax. You see it when families are hanging out at the beach – the adults are telling animated stories, each assuming someone else is watching the kids. I mean, at least ONE adult is making sure they’re safe, right? Not necessarily. Vacation head.

SouthBeach2018

Or there’s an ambulance trying to navigate through summer traffic jams, siren squealing, and only a few cars pull over. Some cars take the opportunity to bolt across intersections, as if they’re just as important. Today I even saw pedestrians amble through the crosswalk, halting traffic that was trying to get out of an ambulance’s way. Vacation head.

Earlier today, Alison heard Claire was going to Edgartown (Morning Glory Farm), and asked her to also pick something up at the Old Sculpin Gallery, while she was in town. Claire said “are you kidding?,” and looked at me like “really?” We laughed at how crazy it sounded to do two errands, on opposite sides of town. What is Alison thinking? (Of course Claire did both errands – she’s professional like that).

Islanders know what I’m talking about. We grit our teeth and look for parking spots, wait in long lines at the grocery store, and cross our fingers that the drawbridge isn’t up. We all talk about how CRAZY it is this year, and tell our stories, counting the days until September.

But I don’t want to wish it away. Friends are visiting, all the stores are open, there are events every day, flowers are blooming, and the beaches are amazing. We’re meeting lots of new people, and having some wonderful conversations. I’ll take all of it. Every year. The cycle from quiet to loud, and back again, is the reason we stay.

So while we’re all here, in the fray, I know a place where you can kick back and enjoy the air conditioning, look at great art, and eat some awesome food. Tomorrow, from 4 to 7. Bring your vacation head with you… ;)

EchinaceaPicaBella2018

 

2022-05-27T19:11:40+00:00August 3rd, 2018|2 Comments

My new favorite

JettyPayBchII2017

I KNOW. How’d she get this shot?

Here’s what Alison said when I asked her that very question: “Can you hold on a second?”

You see, I’m writing this while Alison’s hanging this print on the main wall of the gallery. It’s face-mounted to plexi, backed by metal, and framed in a floater frame. We (that’s the royal we) need to screw cleats into the wall at the perfect spot. Our little gallery walls are all wonky, and not square. So it’s a challenge.

I waited and asked again – How’d you get this shot?

“It’s a location that I didn’t even notice for years, living on the Island. There’s something about driving past it every single day, seeing it in all different weather conditions, different light, that over time became a bellwether. These days I’m addicted to this spot. The work I’m doing now is so subtle – in terms of color, quality of light – that I really started keying into the tiniest changes. The jetty is visible from the road, so I get an instantaneous read on all of the subtleties of wind, weather, and tide.

On that particular day, it was a combination of rough water, a midway tide, a storm cloud hanging overhead, and a little clearing on the horizon, that caught my attention. I acted quickly, as the conditions are always in flux. It took me all of three minutes to set up and shoot, and this is the result. If I didn’t check in so frequently, I’d have missed the nuances that make this photograph work.”

We’re hanging an all-new show tonight, for our Arts District Stroll tomorrow evening (Saturday, July 7, from 4 to 7pm). We’ll be serving food inspired by the 4th of July. We’re excited that my dad will be here to sign his new book of poetry – Alison took photos for the book, and I designed it. It’s truly been a labor of love all around, and is full of beautiful, thought-provoking poetry.

I think it’s time to crank up the Stevie Wonder – looks like it’ll be a long night… :)

2022-05-27T19:13:06+00:00July 6th, 2018|4 Comments

‘Tis the season

THESE DAYS, I’ve been thinking a lot about the seasons. Days are longer and warmer this time of year. Trees and gardens have sprung back to life, grass needs to be mowed again, and island property owners are busy painting, fixing, updating, and getting ready for lots of visitors. There’s a heightened awareness, a sense that things are about to change.

I’ve always said that I love living in a place that has a seasonal economy. The summer is crowded, busy, fast-moving, exciting, stressful, and vibrant. There are TONS of things to do, and LOTS of people to do them with. All of the restaurants and stores are open for business, movie theaters are screening multiple titles each week, and the Back Door Donuts line weaves its circuitous path through the Reliable parking lot. On the downside, traffic is a problem, as are bugs, ticks, poison ivy, and certain… shall I say… attitudes.

I remember one summer when Alison and I took our two kids (then 4 and 7) up to Menemsha to have a picnic, kayak, climb on the jetties, and watch the sunset. Sarah (7) met a girl her age, and they played together all evening. As we packed our cars to head home, Sarah asked me to get her new friend’s address so they could play again. I introduced myself to the girl’s dad, who was loading his car with sandy towels and coolers (Alison was doing the same thing, halfway across the parking lot). His car had NY plates, and we talked about what he did for a living, where he lived. Then he asked where we’re from. “Here,” I said. His eyes bugged wide-open and he said “Here? You mean Martha’s Vineyard?” I nodded yes, and he followed with “Huh… you mean islanders come up here to watch the sunset too?”

Islanders are nodding as they read this – we all have our stories. It can be stressful when visitors take over and think this temporary playground belongs to them. I know some people who won’t even come down-island (to Vineyard Haven, Oak Bluffs, Edgartown) all summer, so they can avoid the throngs. Even so, I love when everyone comes to the island. I thrive on the energy they bring with them.

Until I don’t.

But lucky me – as soon as I’m done with the crowds, they start to leave. Fall comes, and we mostly have the island to ourselves again. Then winter brings quiet, introspection, solitude, all the broad thoughts of exploring – travel, art, music, writing. I settle into shorter days, and enjoy the peace.

Until I don’t.

Soon it’s time to get ready for all the people again. They come back just in time, bringing all their chaos and life with them. We turn on the charm, and create loads of events, fun, and sunsets. Just for them. ;)

One sign of the season is that we hang Alison’s newest fine art photography on our gallery walls (you knew I’d get to this). Please come see her new work, and say hi to us. We’ll be open Monday – Saturday from 10am to 5pm, and Sunday from 1pm to 5pm. Or call us at 508-693-4429.

may2018signblog

Our Advanced Mentorship student show has been taken down from the gallery walls, but their stunning photographs can still be purchased by clicking here.

2022-05-27T21:51:17+00:00May 23rd, 2018|4 Comments

A spring of new growth

paint2

IT’S BEEN absolutely gorgeous on the Vineyard today. Temps in the high 60s, low 70s, sunny, light breeze. As I’ve walked around Oak Bluffs and Edgartown, it seems like everyone’s out getting ready for the summer season – builders, painters, gardeners, and even people moving furniture into a new storefront. Here at the gallery, we’re finally getting our new side door installed, and a much-needed new threshold. Our garden pros are coming tomorrow to plant a few pots and spring-clean the yard. Alison is spackling and painting the walls, and the colorful new “OPEN” flag that Claire ordered just arrived at the post office.

I just love spring. Which is sad, because we don’t get much of my favorite season – at least the way I define it. I grew up in Baltimore, and spring in Maryland meant lots of flowers, warm days when we’d lie on those metal lounge chairs with the brightly-colored woven nylon tape, and slather on baby oil to be sure we “got some color.” From mid-March, through April and May, it stayed light into the evenings, birds and animals woke up from their winter slumber, and playgrounds were full of little kids running around. Today’s May 2nd, and I feel like this is the first true spring day on the island.

Seeing all of the flowers and birds is glorious, but spring is also a particularly busy time around the gallery. For Alison and me, spring is usually when we gear up for the summer season. We normally open on Memorial Day weekend, so the preceding weeks are full of “to do” lists, spring cleaning, ordering supplies, and picking up our college student from school. But this year is different. All of the preparation happened earlier – before and after a short trip to Tuscany a couple weeks ago.

Since 2006, Alison Shaw Gallery has only shown the work of its namesake, with one exception. For the last five years, Alison and I have co-taught our Mentorship programs for serious amateur photographers. Some graduates continue on with the year-long Advanced Mentorship, which, in 2015, culminated in a group show of student work. This year marks the second group show for the Advanced program, which will open this Sunday, May 6th, with a reception from 4 to 6 pm.

Photographers Lucy Dahl (Edgartown, MA), Jacqueline Abodeely (Saratoga Springs, NY), Beth Horstman (Queenstown, MD), and Andrea Dawson (Moreland Hills, OH) will be at the reception, along with Alison and me. This will be a stunning show, with black & white and color fine art photography. My theme of growth and new beginnings particularly applies to these four artists. Each one has produced a body of work that illustrates her unique creative voice, and has written an artist statement about the insights and processes that inform her art. Alison and I are so proud to host this show, and we’ve been honored to work with such talented photographers.

So, as my best friend says… back to me. For the next few weeks the gallery will open at 11am – an hour later than in the summer. And we’ll be closed on Sundays. During these slices of time, I plan to enjoy my short little Island spring by starting my morning walks again. I officially began anew this morning, and despite my pedometer not working (conflicts with the new iOS), dropping my sunglasses on the street (ordered new frames from eBay), and splattering coffee on my vintage white Livestock concert sweatshirt (older folks will get the reference), I saw a lovely egret on Eel Pond, gorgeous double daffodils blooming on North Water Street, and had Lighthouse Beach completely to myself. Maybe spring isn’t so bad here after all.

2022-05-27T19:06:04+00:00May 2nd, 2018|0 Comments

SHORELINE: Around the Island of Martha’s Vineyard

StonewallBeach2017

by Alison Shaw (and Sue Dawson)

HAVING MARTHA’S VINEYARD as my primary subject matter for more than 40 years certainly comes with many rewards, but also with its share of challenges. In the years that I’ve spent photographing these 100 square miles, I’ve constantly had to push myself to see the island anew. And sometimes I struggle to maintain my inspiration, creativity, momentum, and stamina, to keep shooting the same place for so long. If I lived in “America” I could simply go to the next town in search of new subject matter. Actually, I do go off-island to re-energize and shoot in other locations, and it does help. But I still have my one heart- and soul-touching muse – my island home.

So when I need to re-group, I remember one of my favorite quotes, from Marcel Proust: “The true voyage of discovery lies not in seeing new landscapes, but in having new eyes.” It’s not about finding a new environment, as fun and adventurous as that can be. It’s about finding something within myself.

BigPierWestChop2017

Sometimes this means exploring a particular facet of the island more deeply. The search keeps me engaged and motivated. I love pursuing a project, which forces parameters, gives me structure, and organizes my thoughts. Recent projects have included photographing inside the wooden boat building shop at Gannon and Benjamin, in the studios of island artists, or documenting the island’s lighthouses.

In retrospect, seeing the island in new ways is not limited to the subjects I choose to shoot, but how I choose to shoot it. Over the years, my style has evolved dramatically. Going from black & white to color around 1990 was like trading in a box of charcoals for a set of oil paints – it felt like having an entirely new island to photograph. Fifteen years ago, I developed a new technique, where I move my camera as I shoot, creating more painterly images. In my most recent stylistic evolution, I moved from a super-saturated color palette to soft pastels and neutrals.

My most recent project has been photographing the shoreline of Martha’s Vineyard. This may seem like an obvious subject to choose, since I’m naturally drawn to the shore, and rarely photograph the inland vistas of the Island. But as much as I’m drawn to the Vineyard’s coastline, I get into the rut of returning to the same spots, looking for variations in weather rather than location. In 2014, I was obsessed with the new Fishing Pier in Oak Bluffs, and every time there was thick fog, stormy seas, or blizzard conditions, that’s where I’d go. In 2015, I was obsessed with the stone jetty between Inkwell and Pay Beach. I’d look out my window, see the condition was flat calm, and head for that one spot.

JettyPayBeach2017

Returning to these same locations over and over, as much as I enjoyed it both personally and artistically, clearly had its limitations. And then it occurred to me: The last time I’d photographed at Makonikey, on the North Shore of the island, was in my “high-impact-color-sunrise-sunset” phase in the early 90’s, using my clunky Pentax medium-format film camera. The same was true of Big Pier on West Chop, which I’d last shot for the Vineyard Gazette in the late 80’s, with my 35mm Nikon and black & white Tri-X film. Ditto Lambert’s Cove, Stonewall Beach, Katama Bay, Tashmoo Beach, and so on. Not to mention the many locations on the Vineyard shoreline that I’d never even laid eyes on before.

At first this idea just sat and percolated – I hate to admit it, but I let it stew for at least a year. There was definitely a good amount of inertia at work here… the urge to turn my alarm clock off, to spend far too much time planted in front of my computer, and to sit at home with a cat on my lap. The “just do it” mantra I had always tried to instill in my kids simply wasn’t working for me. Ok, we did move – that was a big deal, after being in the same house for 29 years. I spent lots of time picking paint colors with Sue (she calls us “color nerds”), going to the thrift shop every day looking for just the right end tables, and coming up with a garden plan.

LambertsCove2017

Eventually, once we got settled in the new place, my inspiration kicked in – and when it did, I became a woman on a mission. The fire was lit. I decided to photograph the entire shoreline of the Vineyard – one rocky shore, one beach, one sunrise, and one sunset at a time.

My first steps were all about planning. I picked up a couple of excellent Island maps at the Land Bank office in Edgartown, and began figuring out access via conservation areas. Then I went on google maps in satellite view, and began examining the perimeter of the island, step-by-step, picking out large rocks and lone docks. I studied the tide charts – some scenes would be better shot at high tide, while others would be better at low (not to mention the fact that high tide could often present a challenge for navigating my way around rocky points on the North Shore). Sunrise and sunset times, in addition to the phases of the moon, all figured into the equation.

Shoreline Map.blog

As to weather conditions, once upon a time I might have been looking for what I considered to be “perfect” conditions for photography. But these days, I’m much more willing to go with the flow, a philosophy I developed during the course of teaching countless week-long workshops on the island. I used to agonize over picking the most promising mornings to meet up early. But these days I schedule a sunrise shoot for every morning of a workshop, and let my students know that unless it’s pouring rain, I will be there at the assigned location, in the pitch dark, waiting for them. The weather is fickle in New England, and that’s a good thing. I’ve grown to love never quite knowing when it’s going to be a good morning for photography. Another of my favorite quotes is from Woody Allen and is tacked to the wall over my desk: “90 percent of success is showing up.”

LagoonIII2015

Over the past six months of shooting for this project, I’ve often arrived home long after dark, with my sneakers full of sand and my tripod in need of a hose-down. When I set my alarm early, I actually go out and shoot – or even better, I rely on my internal alarm clock, which has served me well when I’m truly engaged in the prospect of my early morning photo expeditions. I’ve discovered both rocks and docks that I never knew existed. And I’ve been out there for magical moments of light and weather I would have otherwise missed.

We are introducing over 30 new images from Shoreline: Around the Island of Martha’s Vineyard (©2017 Alison Shaw) at Alison Shaw Gallery this summer, with a whole new group I just hung on the walls for our Arts District Stroll tomorrow, 4-7pm. Inspired by my working map, Sue created a snazzy one in Photoshop, so you can see where each photo was taken (there’s a big version at the gallery).

Print

It’s become increasingly clear to me that there is so much more to this subject than I originally anticipated. There’s plenty of walking, kayaking and shooting still to come, so be sure to look for more images in the years ahead.

2022-05-27T22:07:21+00:00August 4th, 2017|8 Comments

Hard to believe it’s been 10 years

ALISON SHAW GALLERY began on July 20, 2006. Our first sale was a notecard, to Alison’s cousin’s wife, Jana. I tried to just give her the card, but she insisted on paying, so I asked for a dollar bill. It’s still in my desk drawer in the gallery, so I see that dollar every day. It’s really hard to believe it’s been there for 10 years already!

Ever since we moved into our little building in the Arts District of Oak Bluffs, we’ve been fascinated by the history of this place. In honor of our 10th anniversary, here’s some of the history we’re proud to be part of:

1914sm88 Dukes County Avenue used to be a one-engine firehouse – one of several in town, including the t-shirt shop across from Nancy’s Snack Bar (Engines 1 and 2), “Highland Hose” near the Ocean View Restaurant (on Church Avenue, Engine 3, now the home of one of our customers), and the building in town that’s now “Cottagers Corner,” which was originally Town Hall from 1882 to 1966, and over time also a police and fire station, before the Cottagers acquired it.

So let’s go all the way back to the beginning – in 1880, “Cottage City” seceded from the town of Edgartown, and established their own fire department. In 1907, the town name was officially changed to “Oak Bluffs.” Our building was built in 1914 – we found the date, along with three initials, on the shiplap upstairs that was uncovered during our renovation over 90 years later. 1914 was also, of course, the year World War I began.

Our building was “balloon-framed,” which means the studs went from ground sill to top plate (roof), and the second-floor joists were nailed to the studs. So the second floor was basically held up by a bunch of nails. This would turn out to be a problem for us, but I’ll get to that later. The piece of land we’re on is part of the MVCMA, or Martha’s Vineyard Camp Meeting Association – the “Camp Ground,” as locals call it. Turns out most of the cottages in the Camp Ground were built using balloon framing, which was the standard at the time. We believe the Town of Oak Bluffs built our building to house Fire Engine #4, in what was called the “West End” of town.

Nelson Amaral was one of the captains of Engine 4. From his January 2012 obituary in the Vineyard Gazette, “(Nelson) began as a junior firefighter at the age of 14, and spent 56 years in the department, 35 of them as chief. The Wing Road fire station in Oak Bluffs is named for him.” Nelson Amaral’s first cousin, Steve Amaral, worked with Engine 4 for 38 years, beginning in 1956. He succeeded Nelson as captain of Engine 4 in 1975, and stayed captain for 23 years, until 1994. Steve’s pictured below in 1961, in front of the station, next to Engine #4. By the way, Steve will be fishing in his 70th derby this fall (MV Bass and Bluefish Derby) – he’s only missed one, when he was in Korea. If you see him, say hi for us, and a big thank you for his many years of service to town and country.

Engine 1

In 1996, the building had been vacated for a few years, after the centralized fire headquarters was built at County and Wing Roads, to house all of the engines in one place. The MVCVA (Martha’s Vineyard Center for the Visual Arts), which was “formed in 1991 as a non-profit, non-competitive, unifying organization for visual artists,” bought the building from the town. The group of energetic and creative women who ran the MVCVA painted the interior, put in the glass doors we have today, and opened the Firehouse Gallery. They sponsored workshops, classes, and talks with local artists, and had a weekly drawing group (with model) that met upstairs. As you can see from the photo below, the group celebrated the building’s legacy with more than the gallery name!

mvcva dog

In 2006, we got a call from a member of the MVCVA and local painter, Renee Balter. She said that the group wanted to sell the building to a local artist, and encouraged us to submit a proposal. It wasn’t an ideal time for us, so we thanked her and said no. A number of weeks later, Renee called again. “I’m sorry, but I just see you in there!” She asked us to reconsider, thinking we’d be a good fit. Alison and I stayed up all night to do a proposal, buoyed by Renee’s faith in us, and submitted it literally in the last hour before the deadline. As you can surmise, the group chose us, and allowed us to rent the building for a few years first. We moved in at the beginning of July.

MVCVAthis

We had a LOT to do in order to open our gallery. We painted the walls white, and the floor teal. We used a deck paint for the floor that was pretty toxic, and I remember our neighbor Annie came by late one night and thought we were a little loopy from the fumes. I designed a sign using one of Alison’s seascapes – we had the sign printed as a huge sticker, so it’d be the actual photo rather than a painting of her photo. I knew it would fade over time, not being an archival print. So, I thought, photos fade to blue, so why not just start there? It worked. Melissa, of About Signs, made the sign, and her husband hung it, just before opening day.

signhangvertical

But there were a few setbacks…. Mold in the basement (bleached). Termites in the baseboards (exterminated and wood replaced). Rusty oil tank outside (removed). Lots of stuff upstairs, including a working sink (we’d deal with that later).

studio before 2

After builder Todd Leuenberger sheetrocked the center shelf unit to make a display wall, and built doors for the back so we could hang more photos, we managed to open our gallery!

firstopening

Our two kids were as excited as we were. Sarah (left, below) and her best friend Hallie (right, below), and Jesse (that’s his back, in the second photo) with Iris and Miles Albert, were here for the opening.

sarah&hallie

jesse&alberts

We were thrilled. And then…

This is the part where the balloon framing comes in. When gallery season was over, I asked our architect, Chuck Sullivan, to survey the setup, and see if he had some ideas about the upstairs. He came over to take some measurements, and I said “… and we’re ok with the weight of all our file cabinets, flat files, and shelves, right?” Um, that would be no. He went upstairs and jumped up and down a few times, and said “Not only should you not move any stuff up there, I don’t want YOU to go up there.”

So we moved it all out. The whole gallery we’d worked so hard to create. And we asked Harold Chapdelaine of Stonebridge Building and Design to fix things. He and his crew gutted the entire place. It’s an historic building, and needed to be preserved, so basically our building is one huge cabinet. It was a little wonky. Crooked. Settled. So they firmed it up by sistering things, bolting things, installing huge steel beams held up by wide supports in the walls and 6-foot concrete footings, and hurricane ties to keep storms at bay. We had a metal roof put on, and two square windows out front where there had been one. The radiators were removed, and a propane heat and a/c system installed. And I did my thing on the computer to design the upstairs space (see below), just as I had for our last studio on Circuit Ave.

studio layout

 

The upstairs studio turned out beautifully:

_DSC5816

fire lightHarold found clapboard under the shingles out front, so we asked him to put new clapboard on. We picked a paint color we still love (and give out at least once a year to people who want to use it). And we did one more important thing. We asked them to preserve the red fire station light. They kept it in place, and fixed it so we could turn it on if we wanted to. Jokes about our “red light district” ensued.

After around five years, we officially bought the building from the MVCVA group. Because it had been a fire station, we got an environmental study done, to make sure there were no issues with oil or gas on the property. Then we found out there was a cesspool – no septic. Bummer. So we tied into the new town septic system for a cool $20,000 fee. That’s the commercial fee, including everything a restaurant might need – even though we just had one toilet and one tiny sink.

We also asked the MVCMA (if you’re getting bleary-eyed from acronyms, that’s the Camp Ground, which owns the land) to please move their access road over and remove the asphalt from out front. It was a safety issue for our customers, as cars used to cut across right in front of the building. At first we just dumped some shells out there, for timing reasons, as this GoogleEarth photo shows:

gallery with shells

Then we hired Crosslands Landscaping to install our gorgeous bluestone walkway, lawn, and garden, which Working Earth has been maintaining and improving ever since. Ta dah!

this gallery

If you’ve read this far, thank you! And please join us tomorrow evening (Saturday, August 6th) from 5 to 7 pm, for our 10th Anniversary Party. Alison and Lew French will be signing their new book. Herring Run Kitchens will provide fantastic food. Joanne Lambert will pour you a drink. And Sue will be behind the front desk and her wall of computers (don’t ask). Hope you can come!

2022-05-28T16:51:35+00:00August 5th, 2016|2 Comments

Title

Go to Top