Squibnocket II 2004

THE MARTHA’S VINEYARD TIMES published this great feature article, in which Alison discusses the technique behind her series of abstracted seascapes.

It’s a more creative approach, where she uses her camera like a paintbrush to capture the essence of a scene, distilling it down to the feeling of being there. By panning as she shoots, she minimizes the extraneous details of what’s there, ending up with a shot that evokes a more sensual nature of the place.

Click here to read the article.