Should you sign up for this year’s Mentorship?

I’VE BEEN having some great conversations with potential Mentorship students over the past week. They’re deliberating about whether to join this year’s program, which starts on Monday afternoon. They have questions about what to expect, what they’ll learn, how they’ll grow. I love these conversations – I’m sure they can hear me typing sometimes, trying to precisely capture their insights, so I can remember them later.

I thought I’d share some insights with you…

– One person said he loved Alison’s critiques in the workshop he just took with her. In other workshops, he hasn’t always agreed with the teacher’s critiques, and walked away confused, unclear about what’s “right,” and what’s “wrong.” With Alison, she’s so clear in her critiques, even if he doesn’t 100% agree, he totally understands why she’s saying it. He doesn’t have to wonder whether he’s “right” to disagree, because her clarity empowers him to make educated decisions. My take is that her teaching style leaves room for interpretation. She’ll say whether or not she likes an image – don’t get me wrong – but you’ll understand why. So you can decide your own take on it. She’s not saying “this is how to think,” or “this is how to see.” She’s educating you, so you can think and see for yourself.

– Another person said he’s been shooting a lot, and worried that he’s “all over the place” in terms of subject matter and style. But then he wondered, “Or am I? Is this all moving me toward something else?” He’s concerned about not having a “singular style,” a unique voice. Because his direction isn’t clear yet, he’s listening to advice and trying different things. This is a huge reason we added Masterminds to our Mentorship program. At each retreat, you’ll have a half hour to present something to the group, and get feedback from everyone. We’ve seen incredible things happen as a result of this process.

One time, a student presented some selections from her work at different stages, and was looking for a new focus. There was one photo she threw in at the last minute, of a wooden chair sitting in the corner of a room, with a beautiful pattern of light streaming across, from a window above. She said “I don’t know why I tossed this one in. It’s from my Quaker meeting. It means a lot to me, but it’s a one-off.” Everyone loved the image, and wanted to know more. So she talked about her faith, and what it’s meant to her. This image really spoke to her deeply. We all encouraged her to pursue this further. So she started taking more photos of meeting houses near her, and getting gorgeous, evocative images. She decided to visit all the meeting houses in Massachusetts, and I encouraged her to write about each one too, in a blog. Thus began a labor of love that has culminated in two Blurb books of images and text, that are her portfolio of the project. She made these to show at galleries and museums, and to potential publishers.

This is just one example of many. It’s hard to explain the energy that’s created in your Mastermind, where the whole room is focusing on you and your work. Alison and I just did a Mastermind of our own, at last weekend’s Advanced Mentorship retreat, and Alison’s more inspired than she’s been in years.

– One person said our price felt high, and gave us a couple examples of mentorships that cost less. We’ve done a lot of research on other programs, but just to be sure, Alison jumped in and did the research again. She looked at prices, duration, and what you’d get for your investment. Each one that cost less, delivered less. There are some great teachers out there, and wonderful programs. She just didn’t see another like ours. Our Mentorship is truly one-of-a-kind, and we’re very proud of that. Here’s what you get:

  • FOCAL POINT TOOLKIT – Set goals, and track your progress through the Mentorship. This sets your intention for the six months, and creates the velocity for your experience.
  • YOUR OWN PASSWORD-PROTECTED PAGE (new this year!) – You’ll have your own page accessible via our website, where you can find all program info, upcoming appointments you’ve scheduled, your list of goals, downloadable notes from your calls with us, and a personalized to-do list for your reference
  • SEVEN CALL HOURS with ALISON – These calls will be all about you and your work – developing your own unique creative style, staying consistent and keeping focused. You’ll send Alison jpegs of your latest work before each call. During the call, you’ll see her screen live on your computer, as you both discuss your photos, and she makes suggestions shown in Adobe Lightroom. Learn how to be your best editor, get custom training, feedback, motivation, and brainstorm ideas. Alison will give you customized assignments that will keep you inspired, and define your next steps toward your goals.
  • FOUR CALL HOURS with SUE – Get an Art Director/Gallery Owner’s eye on your body of work, and advice on your portfolio, graphic identity, website, book ideas, writing, and marketing. Talk about mindset, and open up your creative flow. Brainstorm project ideas.
  • SEVEN TRAININGS – Our in-depth trainings cover a number of topics,which have included: getting in touch with your deepest creative self; writing an artist statement and bio; marketing your work; communicating with galleries, and having a show of your work; Alison’s digital workflow; publishing a book of your photography; and a fine art printing Q&A with a master printer.
  • TWO 2-DAY RETREATS on MARTHA’S VINEYARD – Experience the island off-season, when all the locals can relax and truly enjoy this unique place. Starting with a Friday-evening drinks and hors d’oeuvres get-together, and culminating in student Masterminds on Saturday and Sunday, you’ll meet other students, learn a lot, and have the unique opportunity to get feedback from the group. Develop your artist statement, body of work, and project ideas with the support of other artists. Alison often talks in-depth about her work, sometimes showing edits, images that didn’t make the cut (and why), and her creative process. Sue will bring her designer’s eye to the discussion.
  • PRIVATE FACEBOOK GROUP – This is a great opportunity for feedback and technical support, from all past and present Mentorship students. Post your photos and questions, and get feedback, answers, and encouragement on your progress. Sue and Alison monitor the group page regularly.
  • 20% OFF IN THE GALLERY – For the duration of the Mentorship, you’ll get our best discount on all fine art prints, books, posters, and cards.
  • YOUR WORK ON OUR WEBSITE – Take advantage of our international audience. After the Mentorship ends, we’ll post a photo of you, your artist statement, and a slideshow of your best work during our six months together, with a link to your website if you have one.

I’m making appointments for calls, and have times available from now until Monday at noon. I’d love to talk with you! Just email me, sue@alisonshaw.com, and we’ll set up a time. Here’s the pdf with more info. And here’s the link to our student pages, showing their work and accomplishments. One more thing – we almost decided not to do the program this year, so we could focus on a couple projects of our own. But we’ve put those off for now. This means we may not run the program next year (not sure yet), so if you’ve been wanting to join, this is the year!

From one of our retreats

From one of our retreats  (Photo by Vincent Chahley)

2022-05-28T16:30:44+00:00October 20th, 2016|0 Comments

So much to think about …

WE’VE BEEN thinking a lot about teaching lately. Alison just finished teaching her week-long workshop here on the Vineyard, and we’re planning a weekend retreat for our Advanced Mentorship group. I’m also just starting to email people on the “interested” list for our 6-month Mentorship, which starts soon. But it’s funny what Alison and I talk about a lot these days…

First, picture us sitting at a cafe, drinking a latte (me) or a short latte with an extra shot (Alison), after a morning walk on the beach. Or maybe we’re hanging out on our back deck in the evening, with a drink and a deck of cards. Or working together in the kitchen. Usually, we talk about work, kids, family, cats, friends, and ALL THE STUFF WE NEED TO DO. See how I put that in caps? There’s always a lot to do, and it mostly fills the conversations we have, in a good (responsible) and bad (uni-focus) way.

But around this time of year – when the gallery season is almost over, the crowds of tourists have one more weekend of fun before things start to close for the season, there’s a chill in the air, and leaves are starting to crunch underfoot – we start to talk about what we want. Now that summer’s over, how do we want to spend this fall, winter, and spring? After such a busy season, what do we need? What will fill us back up again?

Alison wants to shoot more. She wants inspiration. Accountability. A project. A mentor – to push her, support her, and bring out the best in her. I want to create my own art – painting, writing, maybe try new media. I want inspiration. Accountability. A project. A mentor, to get the juices flowing, and support me in my creative life. And we both want to spend time with other artists, inspiring each other, and pushing our learning curve steeper, more challenging, and therefore more fulfilling.

In short, we want to take a Mentorship like ours. Seriously. We’ve fallen in love with the program we created, and we want someone to do this for us! I know, Alison’s already “there,” right? Wrong. There is no “there.” As an artist you need to keep growing and learning. And there’s nothing like doing that in a group of like-minded artists, keeping the bar just high enough to inspire, and holding you accountable to your dreams.

eelpond2016

I’d like to say we’re all setting the alarm for pre-dawn and jumping out of bed when it rings, so that we can be on location for that amazing sunrise we’ll be hearing about later on Facebook. Or making the first phone call to set up a shoot for a project we’re excited to start. Or writing that first draft we’ve been musing about for ages. But most days, to be honest, we’re going through the 12,893 emails in our inbox, folding laundry, or troubleshooting a hard drive crash – all things I’ve done today (and yes, I have that many emails in my inbox). We all need something to lift us out of the everyday grind, get us inspired, motivate  – and sometimes validate – us creatively.

So while we’re busy looking for a program for us, I’d love to talk with you about joining the program we’ve created for you. As of today, there are 9 spaces available, and I have 85 people on my “interested” list (I’m in the process of emailing each one). This year, we’re starting on October 24th, and taking a break between Thanksgiving and the new year (nobody gets much accomplished during that time anyway). We’ll pick up again at the beginning of January, and go through May 19th, 2017. All the info is here, but I’m happy to answer any questions you have. Just email me (sue@alisonshaw.com), and we’ll set up a time to talk.

Funny timing: As I write this, it’s flat calm, and the early evening air is cool. Alison just ran down the stairs and is heading out to shoot…

EPILOGUE
Just thought I’d share one of the photos Alison got, when she went out to shoot at Poucha Pond that evening…

Poucha Pond 2016

Poucha Pond 2016

 

2022-05-28T16:35:39+00:00October 6th, 2016|2 Comments

Realizing your dreams

IT’S THAT TIME OF YEAR. The holidays. But this year it’s also the time we’re filling the 12 available spots in our 6-month Mentorship. The past two years we’ve started the Mentorship at the beginning of November. But things got all mucked up with the holidays, to be honest. Between turkey and shopping and wrapping and cooking and cleaning and baking and doing it over and over again several times in one month, we were exhausted. So this year, we’ve decided to start the Mentorship on January 4th, and jump into the new year well-fed and ready to focus.

I’ve been reading through the Mentorship Facebook group page, past emails, and worksheets our students have submitted, and I came across this great quote, that I placed over one of the author’s gorgeous photos:

debquote1

Goals without a plan. I know this well. I’m good at reaching many goals, but the creative ones always seem to get kicked to the bottom of my to-do list. This is the stuff that means the most to me (after family, of course), but I don’t make time to pursue it. Maybe it’s because it can be a little lonely to work on my art, and I’m a people person. Maybe I’m scared of failing. Or maybe I’m scared of succeeding … didn’t expect that one, did you?

We’ve designed the Mentorship exactly as Deb hoped. It’s a roadmap – customized for you – to identify your dreams, and create a plan to achieve them. There are trainings on things like creativity, and putting together a portfolio of your work. You become part of a group of 12 peers, who support each other via our private Facebook group, and at the two weekend retreats. The highlight of the retreats are the Mastermind sessions, when each student has a block of time to present your work, get support, feedback, suggestions, and the group’s full attention. It’s a powerful experience to have 13 people (11 other students, Alison, and me) focused exclusively on you and your work – some of the best insights have come from Masterminds. Throughout the Mentorship, you’ll have one-on-one sessions with Alison, focused entirely on your photographs, your workflow, and your goals. And sessions with me, where we look at your website, writing about your work, and getting your photography seen and appreciated by others.

It’s hard work. It is. No sugar-coating that. Your results will be directly proportional to your investment of time and effort. But this is about your dreams, after all. It’s time to stop kicking the can down the road, and thinking you’ll be able to focus on your dreams some other time.

23 people have done this before you, each of them full of reservations and excuses, each of them nervous that they picked now to jump in. There’s a section on our website where you can see a list of some Mentorship student accomplishments, look at portfolios of students’ work, and read their thoughts on the Mentorship experience. I encourage you to look at all they’ve done, and picture yourself on this list next year.

For more info, go here, and click the blue link under the photo to download a pdf. Or email Sue: sue@alisonshaw.com. I’m looking forward to talking with you!

2022-05-28T17:22:59+00:00December 2nd, 2015|0 Comments

Our first Advanced Mentorship show opens May 3rd

adv.show.blog

THERE’S ONLY ONE reason we’d open our gallery three weeks early. I complain brag about never getting even one day off during our busy season, which starts every year on Memorial Day weekend. So there’s gotta be a really good reason for me to work nonstop open our doors three weeks ahead of schedule. Lots of island businesses are pulling up the window shades, dusting off their shelves, and putting out their “OPEN” signs now, but we always wait until the big holiday weekend. Until this year.

Our first Advanced Mentorship group is affectionately known as our “guinea pigs,” since they’ve been with us since the very beginning of our Mentorship program in 2013. The culmination of their Advanced year is a group show in our gallery, for three weeks in May. From choosing what to hang, to writing an artist statement, deciding how to present their work, and creating a catalog of their photographs, they’ve worked hard and learned a lot.

The opening reception is May 3rd, from 4 to 6pm, at our gallery. The nine Advanced Mentorship members are: Gwen Norton, Doug Burke, Diane Collins, Jean Schnell, Estelle Disch, Kate Griswold, Karla Bernstein, David Matthews, and Steven Koppel. They’ll be hanging the show on the 2nd, and will all attend the reception, so you can meet them. We’re honored to be hosting such a stunning, diverse selection of work, and to be working with such a lovely group. In case you’re wondering, it’s worth my May…

2022-05-28T17:43:12+00:00April 21st, 2015|1 Comment

Enough about us…

WHAT ABOUT YOU? That’s what I keep thinking, as the 2014 gallery season is winding down. Alison’s on the Cape teaching her second of three workshops this fall. We’ve shifted our focus back to teaching, for the Vineyard off-season. Nine of our Mentorship students from last year are moving on to our Advanced Mentorship program, starting now. The last thing they did as Mentorship students was to send us a selection of their latest images, and a short bio or artist statement. We’ve added a new section to our website to highlight their accomplishments, and to tell you a little bit more about them. I highly recommend checking it out.

Our 2014-2015 Mentorship program starts in early November. I’ve got quite a list of people who’ve expressed interest in joining, and am about to start calling them back, to fill the 10 available spots. If your heart just leapt a bit, let’s talk.

That heart leap brings me back to my original question. What about you? If you take photographs yourself, what inspires you? If you’re more of an art viewer, my question is the same – what inspires you? We’re all looking for something within art, whether we’re producing it ourselves, or viewing art done by someone else. I’m just curious about that feeling you get when art really speaks to something inside of you. Think about when art resonates most deeply within, whether it’s visual, aural, experiential, emotional, spiritual, appreciation of a technique, or even fascination with the gear and mechanics of photos.

I’d love to hear from you in the comments: What inspires you?

2022-05-28T17:50:49+00:00September 26th, 2014|0 Comments

Doing it scared…

ALISON LOVES what she does. Her favorite part of her job is getting out and shooting in a variety of locations and conditions, and working with lots of new people. She also loves showing her work in galleries, and meeting people who come to her shows. It can feel like pressure to put a show together, but in the end it’s all very exciting, and validating. All great. But early on, there was one aspect of her work that felt overwhelming…

The first time she taught a photo workshop, for Southeastern Center for the Arts in Atlanta, Georgia, in the mid-1980’s, she was terrified out of her mind. The only reason she said “yes” to the invitation from Neal Chaput (who would go on to start RMSP in 1989) was that it was a good career move. She had to say yes. She knew that it was important, somehow, to push herself. So she did it, terrified. She didn’t sleep for a week beforehand. She read books by Ansel Adams (books she owned, but had never read before), and took copious notes. Alison wanted to be prepared if someone asked about the zone system, even though she didn’t even use it herself. She read photo magazines and other books, studied her notes, and agonized that she didn’t know enough to actually teach others about photography. She also drove her friends and family nuts. She was a nervous wreck.

On very little sleep, she managed to limp her way through that workshop without making a complete idiot of herself. Other workshops followed over the years, each one a little better than the one before. It took awhile, but she eventually stopped studying photography before each class, and developed the confidence to speak for herself, about the way she approaches her own work. And surprisingly, she fell in love with teaching. After all that, it turns out she’s pretty great at it.

She’s still a little nervous before every talk, every class. Every opportunity brings a little fear, right? It comes with the territory, when you care about your work as much as she does.

As it turns out, her angst-ridden past was a gift. When her students are nervous, she can truthfully say that she totally gets it. It’s tough to put yourself out there, especially when it’s your own creative work, your deepest self on display. For her, it was scariest to teach, or give talks. For others, it’s showing their work, or putting together their first show, or doing a book. This is intense stuff.

Alison never really took art classes in college, but I did. There was one class in particular, where a famous illustrator was guest-teaching for a semester when I studied in London. He was brutally honest, scathingly critical. He saw this as a service to his students – the world out there was tough, and he was preparing us for it. I’d work through the night on assignments, trying my best to impress him, to succeed. Once I left class in tears, after he invalidated my project. This was one of the reasons I stopped drawing. His tough art world wasn’t worth it for me, if this was how it made me feel. I moved on to photography for awhile, and then settled on graphic design.

So why am I talking about this? It seems like a perfect time, actually, because we’re offering a new six-month mentorship – a deeper creative experience for our students and ourselves. Alison and I have talked a lot about how we’re approaching this class – the teachings we’d like to do, the technical aspects, the structure for our two weekend retreats. And we’ve talked about what it’s like, being scared or nervous. The creative experience is as much about mindset as anything. It’s often about getting out of our own way (or out of the way of certain obnoxious illustration professors). Alison and I have lots of experience with photography, design, and marketing her work, and we’re both excited to offer this experience to our students. It’s particularly gratifying that we’re offering a safe space for creative exploration, where there is no “wrong” answer.

Alison and I have different ways of handling the pressure to be creative while being perfectionists. For Alison, it’s the research, note-taking, loss of sleep, and obsessive work to perform at her absolute best. I’m the same as Alison with my design work, but when it comes to applied art, it’s been all about buying art supplies, accumulating stacks of beautiful (still empty) sketchbooks, and reading self-help books about getting back in touch with my creativity. In fact, I just set up our guest room as my new studio today. Two very different styles, two ways of moving forward. So now, imagine what happens with each style, when we bring in nurturing support, honest feedback, presence, accountability, and inspiration.

Here’s what Alison has to say about it:

Nurturing support is crucial for an artist, in my opinion. Sue and Claire have been my support over the years. I can honestly say that we’ve all built what we have together. Our gallery, workshops, and mentorship program would never have happened without Sue’s vision. And Claire’s so important to the success of our business that I like to joke with her that if she’d only learn to sign my name, I wouldn’t have to come to work at all. It means a lot to me to pass this gift along to my students.

Honest feedback is also vitally important. When we’re choosing images for a show, Sue and Claire have as much say in the process as I do – they are sometimes better judges of my photos than I am, are more objective, and do not hesitate to give me their honest opinions. It’s tough to work in a vacuum, so I appreciate the clarity I get from our team. I believe in honesty with my students and their work, but always staying mindful to support their vision, help them identify their best work, and help them clarify what’s working for them.

Presence is harder to define, but no less important. There’s something that happens when people you respect – a mentor, a group – are focusing exclusively on your work. Our one-on-one sessions will be all about you and your photography. During our group masterminds, we’ll all be present with you and your creative vision. It’s powerful. Our intention is that you will gain insights during this process, through all of our presence, that push you through barriers, and bring out your own unique creative vision.

Accountability has possibly been the most important key to my success as a photographer. I’ve always been someone who has needed assignments and deadlines in order to produce my art. My early black & white career was built on submitting images to the Vineyard Gazette, with the hope that my photos would appear on page one or the editorial page. I became a color photographer when the Gazette started publishing Martha’s Vineyard Magazine. My annual shows at the Granary Gallery in West Tisbury (my 26th year this past July), and of course having my own gallery since 2006, have always forced me to produce a new, fresh body of work. And my many book and editorial deadlines keep me constantly on the go. Being accountable in this way has always been incredibly motivating for me, and I believe in this for my students as well.

Inspiration is crucial for artists of all types. I’ve been inspired by my students in every single workshop I’ve ever taught. It never ceases to amaze me, actually, since I’m often teaching on the Vineyard, where I’ve been doing my own work for 30+ years. There’s nothing like the excitement I get when I see things with a new appreciation, a new vision. I’m looking forward to the inspiration we’ll all be getting from each other over the next six months.

Sue again:

We’re so excited to get started with the mentorship. It starts on November 12th. There are a few spaces left, and a bunch of people are thinking about jumping in. We already have a great group so far. If you’re thinking about joining us, and are nervous about it, we understand. Maybe now is your time to take your work to the next level, to develop your own unique creative vision.

2022-05-28T17:56:44+00:00October 31st, 2013|2 Comments

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